a two-minute shadow play
based on Robert Browning’s most famous poem
my last duchess

Artistic Direction | Dramaturgy

Adobe Premiere Pro

In his 1842 dramatic monologue “My Last Duchess,” Robert Browning writes in the voice of an obsessive Duke showing a visitor a painting of his last wife. As it goes on, it grows more comfortable in its true form, a terrifying study in jealousy, power, and the unseen. I tried to capture that in this shadow play, underscored by Erik Satie’s haunting “Gnosienne No.4”  to match the poem’s slow, inevitable violence.

That’s my last Duchess painted on the wall,

Looking as if she were alive. I call

That piece a wonder, now; Fra Pandolf’s hands

Worked busily a day, and there she stands.

Will’t please you sit and look at her?​

My Last Duchess — Robert Browning, 1842

In his 1842 dramatic monologue “My Last Duchess,” Robert Browning writes in the voice of an obsessive Duke showing a visitor a painting of his last wife. As it goes on, it grows more comfortable in its true form, a terrifying study in jealousy, power, and the unseen. I tried to capture that in this shadow play, underscored by Erik Satie’s haunting “Gnosienne No.4”  to match the poem’s slow, inevitable violence.

my last duchess

Artistic Direction | Dramaturgy

Adobe Premiere Pro

you never call, you never write...

(get in touch!)
you never call, you never write...

(get in touch!)